The Smooth Guide to Photography
              How to get started ...
  • Basic Camera Equipment
    • Standard Camera Lenses
    • Equipment and Materials
    • Etiquette
    • Camera Care
    • Picture Elements
  • Health and Safety
    • Responsibilities
    • What the Law Requires
    • Safety in Photography
    • Safety in the Darkroom, Processing Room + Studio
    • First Aid
  • Film
    • Shutter Speeds
    • Aperture
    • Exposure
    • Lighting Conditions
    • Film Processing
  • Black + White Film
    • Developing Times
    • Processing
    • Tank, Spiral + Core
    • In the Darkroom
    • Printing Papers
    • Exposure for Multigrade Paper
    • Assessing Negatives
    • Printing Film
    • Making a Contact Sheet
    • Making a Test Strip
    • Processing the Print
    • Using the Enlarger
    • Film Cropping
    • Burn-In and Dodging
    • Photograms
  • Technical Term Glossary
    • A
    • B
    • C
    • D
    • E
    • F
    • G - H - I
    • L
    • M - N - O
    • P - R
    • S
    • T - U - V - W
BURN-IN AND DODGING
Picture

BURNING-IN ​- increasing the amount of exposure
​
  • On occasion, the contrast in some negatives is so extreme that it is difficult to get good detail in the highlights without over-exposing the shadows.
  • The highlights can be burned-in by simply giving the whole print the correct exposure, then masking all but the highlights, while a further exposure is made.
  • Burning-in can be achieved by cutting appropriately sized holes in opaque card to allow areas of the print to receive more than the main exposure.
  • Hands can also be used for this purpose.  It is important to keep the object, of the hands, moving at ll times in order to avoid getting a line around the dodged area.
DODGING - decreasing the amount of exposure
​
  • This process involves shading areas of the print during exposure so that they receive less light and come out brighter.
  • Dodging can be achieved by sticking a piece of opaque card onto thin wire and use this to mask the requisite area of the print.
  • It is important to keep the mask moving gently throughout the exposure.
ACCESSIBILITY AND FONT ADJUSTMENT
SITE MAP
Acknowledgement:  
Tutor:  Peter Perry

These notes are an accumulation of those written by myself - or obtained from the College during the course.
  • Putney Public Library
  • Wandsworth Reference Library
  • Earlsfield Library

​This is not a commercial site.
Polly Healy  - Course Work :  2000
SOUTH THAMES COLLEGE,  LONDON, SW18 2PP
______________________________________________________
Copyright:  THE SMOOTH GUIDE TO PHOTOGRAPHY - How to get started ...
[email protected]
_____________________________________________________
                        See other Smooth Guide sites:
www.animalsandenglish.com
www.englishlanguagetips.com
www.smoothguide-mahjong.com
www.smoothguide-internetfundamentals.com
www.smoothguide-kenyacoast.com
www.healyshandyhouseholdhints.com
www.smoothguide-sunbury.com
  • Basic Camera Equipment
    • Standard Camera Lenses
    • Equipment and Materials
    • Etiquette
    • Camera Care
    • Picture Elements
  • Health and Safety
    • Responsibilities
    • What the Law Requires
    • Safety in Photography
    • Safety in the Darkroom, Processing Room + Studio
    • First Aid
  • Film
    • Shutter Speeds
    • Aperture
    • Exposure
    • Lighting Conditions
    • Film Processing
  • Black + White Film
    • Developing Times
    • Processing
    • Tank, Spiral + Core
    • In the Darkroom
    • Printing Papers
    • Exposure for Multigrade Paper
    • Assessing Negatives
    • Printing Film
    • Making a Contact Sheet
    • Making a Test Strip
    • Processing the Print
    • Using the Enlarger
    • Film Cropping
    • Burn-In and Dodging
    • Photograms
  • Technical Term Glossary
    • A
    • B
    • C
    • D
    • E
    • F
    • G - H - I
    • L
    • M - N - O
    • P - R
    • S
    • T - U - V - W